British Art Studies is an innovative space for new peer-reviewed scholarship on all aspects of British art.

Issue 24 – March 2023

Sculpture. A shiny moss-green mask with high cheekbones, dark eyes, and glittering pink lips appears to sit against a green background veined with lilac purple and hot pink. — Installation view, Jala Wahid, Sophie Tappeiner (dithered detail), Frieze London Booth H03, Focus Section, October 2021. Digital image courtesy of Jala Wahid (all rights reserved). Photo by Edwin Coomasaru.

ARTIST COLLABORATION

Oil Aesthetics and Imperial Violence

Interview between Edwin Coomasaru
and Jala Wahid

CONVERSATION PIECE

Monuments Must Fall

Convened by Edwin Coomasaru

ARTICLE

Cutting and Pasting: The Print Room at Woodhall Park

By Kate Retford

ARTICLE

Is the Painting a Grave?: John Everett Millais and the Queer Refusals of Victorian Art

By Ariel Kline

ARTICLE

The Rise and Fall of the “Clerks”: British Art History, 1950–1970

By Hans C. Hönes

ARTICLE

Do Sleeping Shepherds Dream of 3D-Printed Sheep: John Gibson, Oliver Laric, and Digital Neoclassicism

By Melissa L. Gustin

ARTICLE

The Expressive Unit of Constructionism: Kenneth Martin at Whittington Hospital

By Sam Gathercole

ANIMATING THE ARCHIVE

Greenham Common’s Archival Webs: Towards a Virtual Feminist Museum

By Alexandra Kokoli